Busting Decorative Myths of the Regency Era.

Busting Myths – in particular the Georgian Regency myth that aristocrats clambered to have their walls pasted and wallpapered with damask print and beautiful bird prints, is far from true. Aristocrats during the Georgian period considered silk-clad walls as not only a mark of decorative panache it also became the mark of their wealth, as had vast wall tapestries of old within fortified manorial houses, castles, and palaces.

Frieze work

By the end of the Stuart era (Queen Anne) when velvet as a favoured upholstery fabric had already been superseded by damask print, we see in the Georgian period where silk print, from damask to stripes, the latter very much in vogue prior to and the early years of the Regency era. In many houses oak panelled walls were renovated, the upper removed and replaced with silk panels with glorious effect, and those with silver and gold thread shimmered in candle light even though silk itself reflected light.

Silk Clad Wall

With new found wealth of the Georgian age, a good many of the grand estates built on slavery in foreign parts, not least in the West Indies, (though the British were not alone in the practise of slavery, which included the French, Dutch et al) and as grand new houses and estates appeared on the English landscape, likewise whole streets in towns and cities were erected (Bath, Cheltenham, London et al, and Bright Helmstone latterly known as Brighton in the era of the Regency).

Silk Cladding. 

With new wealth came new builds and large windows to create light and airy rooms, French windows opening onto terraces, and so too desire for elegance escalated with grand orangeries, and long before the Victorians went wild with glass house construction. Victorians went to town with conservatories from modest to spacious, from lean-to to freestanding, thus almost every garden in Victorian England had a greenhouse of one sort or another, often erected by occupants, except for the very poor who lived in back-to-back houses with tiny yards.

  

Many of the grand new houses adopted Grecian themed interiors with glorious single colour panels with not only plaster frieze work to ceilings but to walls, not unalike Jasper Ware as can be seen with Wedgewood ware crockery, ornamental dishes, bowls, pots ‘n’ all. 

The reason for no wallpaper being the first wallpapers of the Regency era were rather garish and more attuned to walls at theatres, music halls, and those lacking taste, as many said of the Regent himself, as tending tasteless in dress.

Ghastly, were they not? 

When Characters Take the floor!

My guest today is Therese Countess Roscoff.

To express how pleased I was to learn my story would be featured here, at Francine's blog, thrilled me, but now that I am here, it is all a little daunting. Where to begin I ask myself, and short of saying my early life embodied a humble existence within the back streets of London is to understate it, and yet as a child love abounded in the place I called home. As we all know circumstances beyond our control oft contribute to a life we accept and live through whilst dreams of a fairy tale existence are merely that, dreams. How then did I become a Russian grandee, you may well ask. In truth my good fortune was entirely due to a regular client of mine, and my trade was of the innocent variety at that time. He was a man of intellect, moral uprightness and of a kindly disposition who saw something in me that had never entered my head as a means of better revenue than I could attain from my corner pitch. Through him I learned much about deportment, voice, and how to present myself to the best of my abilities, along with the added assistance of professional persons who practised artifice with flair and perceived wisdom.

And so my world changed from a bleak pitch and mean pickings to a life in which I could ably provide little gifts for the woman who had given her life to my upbringing. To witness her hard work made less hard by my contributions to household funds filled me with sense of pride, for never could I fault her in the love she had bestowed upon me through harsh and good times as befalls the less well off in society. To say my new position placed me within the upper echelons of society is to some extent true, though truer still to say the grandees frequented my place of work. Oft times there were those who displayed great appreciation and affection for my contribution to that which they deemed as entertaining, exciting and oft dramatic. It was on one occasion of extreme appreciation that I met Valetin, Count Roscoff, who was the most handsome and gallant man who had kissed my hand, needless to say I fell instantly in love with all that he embodied. Subsequently a whirlwind romance ensued and before long I was married and became a courtier at the Empress Catherine’s Winter Palace in St Petersburg. My life with Valetin was short, his death a tragedy and a sober moment in my life with the added realisation I had been swept away on a dream, a dream I should never have accepted so readily. Such is life and the foolish romancing of youthful innocence, but I had in my time in St Petersburg acquired two innocent waifs who reminded me of my past life, and to them I gave my heart as they in turn gave me theirs.

With my little family I moved to Venice and their set up home, though we did indeed travel a great deal in the first few years to all the places Valetin had taken me en route to his homeland, thus Vienna became a favoured place until the day I ventured to Naples. There by introduction I met Emma Lady Hamilton, Lord Hamilton, and Admiral Lord Nelson, and Emma and I became friends, and the King and Queen of Naples likewise sought my company. You see a countess was acceptable in the grand settings I frequented, and with a trusted page at my side, he too learned a great deal about other titled persons by way of fellow pages; as did I from frequenting the salons and private apartments of Italian and visiting grandees. And whilst in attendance at one of Emma’s evening soirees I met Lt Herne, the man who turned my world upside down, inside and out, and of whom I fell madly, deeply in love with, and that is where my story and his truly began. What happened thereafter I must leave unsaid, else there will be no mystery for you to unravel and determine whether I of all people could be a thief, the notorious Venetian Jewel thief. After all, I was far from poor with a good widow’s pension and sound allowance from my deceased husband’s estate, and yet I felt threatened and when tragedy struck within Naples, worse befell me and my world came close to collapse until... Perhaps you will understand the dreadful dilemma that befell me and why I had to do what I did. Thank you for being here and I pray you will enjoy Francine’s interpretation of my life as it unravelled and at how a new romance hauled me from the dark depths of despair.

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