Showing posts with label Georgian Life. Show all posts
Showing posts with label Georgian Life. Show all posts

Tuesday, 15 May 2018

Georgian Hairstyles pre-Regency era.

Hairstyles of the Georgian period! 

This article attempts to address the balance of hairstyles and fashion, because far too many readers and literary critics (who deem sense of expertise in matters of Georgian England) often seem to forget the greater part of the Georgian Period occurred within the 1700s - being that of  the 18th Century. Hence modicum of confusion arises with the coming of the Regency Era of the 1800s, being that of the 19th Century in matters of fashion, which includes hairstyles.


In this picture are examples of Georgian hair styling.
The first image represents back-combed hair with short ringlets and powered for fashionable effect.
The second image is a young lady with natural hair in a pretty and becoming style, and this style remained popular for unmarried ladies until the coming of the Greek revivalist movement during the Regency era, when men went for the Corinthian, the Adonis, and other fashionable bent, whilst women went for short curls framing the face, top-knots and dangling ringlets.  
The third picture is a strawberry-roan wig, no doubt similar in colour to the ladies natural hair colour, also lightly powdered.    

To take stock of the early/mid part of the Georgian Period of England, it helps to remember Marie Antoinette was Queen of France, wife of Louis XVI at that time.



Marie Antoinette.

She was renowned for her outrageous wigs, but not all women during the Georgian period wore wigs, though some did, as did the Duchess of Devonshire when married, but when young she merely lightly powdered her hair and had it styled to the fashion of one long coil of hair over her shoulder similar the middle image top of page. 


Duchess of Devonshire

Other ladies of note, namely Lady Sheffield,  wore long style wigs.




Whilst Mary Hamilton had her own hair styled and powdered.

The following images are of TV/Movie productions, almost all with relevant hairstyles for the Georgian period - and pretty obvious which of these are wigs. Note the hairstyle bottom left corner which is totally wrong for Georgian period, not even early Victorian and is late Victorian /Edwardian. 



Just prior to the Regency era, hairstyles were softer, wigs were worn far less by women who had lovely hair, though married women often still powdered their hair. And by now waistlines had crept upward, the A-line/French Empire line taking precedence. 




By the Regency Era young girls were still given to wearing hair in loose coils (down) for informal dress, and up for formal occasions. Married ladies and mistresses always wore it up!




In the year George, Prince of Wales, took office as the Prince Regent, the year of 1811, he assumed the working role of head of State in his father's stead. George III was sadly diagnosed as mentally incapable, thus the Prince of Wales, now Prince Regent had no idea when his father the king would die nor how long before he would become the monarch. 
In 1820 The Regent became King. 
The Regency era was at end, a mere 9 yrs in tenure, but Regency fashion and hairstyles continued until William IV became King on George IV's demise in 1830, merely ten years after the Regent became King. 

During the reign of William IV ladies waistlines dropped, hairstyles went to buns and bunches, and silly side curls come the death of William in 1837, thus Princess Victoria became Queen.  


Young Victoria!
  

Saturday, 14 April 2018

True life Vs Romantic Fiction


What fan of the Georgian era fails to recognise this portrait of Georgiana Duchess of Devonshire?
And almost all fans of the Georgian period and relatively short era of the Regency (1811-1820)  recognise Chatsworth House depicted as Mr. Darcy's rural estate in Derbyshire, the house the turning point in Elizabeth Bennet's estimation of Darcy as a man of landed substance, and eminently worthwhile catch for any woman. After all, what was a little brusque (rudeness) if but a standard of his financial flag and sense of superiority over such as she? But a lady with wile could turn, could she not, and embrace a man of substance and forgive him his former sins!  



Life for Georgiana was far from the romantic tale in which Darcy and Elizabeth resolved their differences and presumably lived a relatively happy existence at Pemberley. Whereas, Georgiana's story is extremely sad, and a secondary lesser known portrait inspired the writing of The Reluctant Duchess. 



There is sense of inner sadness to this portrait of Georgiana, and that sadness was revealed within her letters, which differing biographers have interpreted in differing ways. Some paint Georgiana as the victim of an arranged marriage, an unhappy marriage, in which her husband's mistress reigned alongside the duke at Georgiana's expense (akin to Diana, Princess of Wales). Whilst other biographers view her as a manipulative socialite who lived within a harmonious menage et trois, her friend Elizabeth (Bess) far from a backstabbing mistress to the husband (Duke) and indeed her best friend. As a writer one can read others assumptions, opinions, and then look to the eyes of the person in question, and portraits are a great medium to the person behind a smile, whether that be a faint smile or mere quirk of the lip, for the eyes most definitely reveal much about the inner person. I am not attempting to imply Georgiana was either of the above, but will add that her life involved humiliation of a loveless marriage that was anything but heaven, she nonetheless experienced joy (birth of children), she experienced love with another man, suffered tremendous heartache in having to give away a child, she became a fashion icon, and politically minded socialite. In effect she sought escape from tragedy and deep heartache and put her all in to becoming Georgiana, fiercely independent in spirit albeit tied to a marriage she was as good as forced into.  Her mother was overbearing, manipulative, and seeking to better her daughter's and her family standing within the upper echelons of the aristocracy, and she achieved her aim!          

Unfortunately young women in the past were subject to parental whim, many self-seeking parents with no desire but to better their fortunes with family alliances by way of marriage. Often substantial dowries purchased titles for daughters, or daughters were as good as sold to satisfy the whim of a suitor who required little more than a virgin bride to provide the heir and a spare to a vast fortune and landed estate. I shall leave you the reader to make of latter as you will, and I shall move on to The Reluctant Duchess. 

Indeed The Reluctant Duchess mirrors a little of the humiliation Georgiana was subjected to, but Liliana has a happier outcome from her experience of a duke and mistress cavorting and holding court at Summer and Winter balls. I set TRD within the Regency era, the setting is the West Country, Devon to be precise. It therefore has a dark Gothic edge to it, with added adventure and murder and mystery as described below in the premise.



The Reluctant Duchess (Steamy Content) - a Regency Gothic tale of romance, abduction, mystery and murder.

Devon Howard, the Duke of Malchester, acquires a bride by dubious means. Well aware Liliana is a reluctant duchess, and although his new wife submits to his ardent advances on the wedding night, he cannot be sure, that even if given time, she will ever surrender her heart to him. While his past continues to damn him, he sets out to win Liliana by inciting jealousy and rivalry ‘twixt her and Serenity: a would-be mistress?